Originally Posted by
Bluesparks
It's not you failing to catch what's behind the words. Her appearing as a flat, if a little odd, character is 100% intentional. In too many stories, particularly first-person stories, the protagonist strikes me as bland, nebulous, and uninteresting. For a while I'll let you believe the same about Zephyr--that she's just there so I have a story--but then when I finally do pull the cat out of the bag, it comes completely out of left field (I made a sports reference wat) that she isn't just some bland-tasting wish-fulfillment on my part. That she has a fleshed out backstory and reasons for being the way she is, and that there is still closure she has yet to attain.
So in reality it's not so much what's behind the words as it is what straight-up isn't there. First arc is about a romance (not involving her), and the stallion cheating on the mare. Zephyr doesn't react to this at all, not to any part of it. Romance isn't what she's looking for and it isn't something she wants, so she can look at the situation with almost purely objective eyes. She doesn't go "Oh that cheating bastard" or "You're not good enough for him". She just doesn't care on a personal level; problem is it's from her perspective so this is all natural to her, so with very rare exceptions I can't just have her go "Oh and by the way I don't give any fucks about this". I have to imply it through her continued apathy and objectivism, which needless to say, is a little more subtle than "Zero fucks given".