https://www.yahoo.com/style/rick-owe...191330683.html
Humans In Harnesses Are The Hot Accessory At Rick Owens
His latest runway spectacle was called “Cyclops,” but instead of one-eyed creatures clomping down the runway, he sent models out with what can only be classified as human backpacks.
While a trio of gospel singers sang about “Protecting land and how it’s ours to preserve,” models appeared with local gymnasts strapped to them like giant harnessed babies— they hung over the shoulders, upside down, butts and legs sticking out in all different angles.
Was this an art project? (The configurations evoked the work of artist Allen Jones or the Chapman brothers.) Or was this some kind of environmental statement? In the press release, Owens spoke of the nurturing ways of women, and the straps as “cradling.”
“It’s so glamorous and so beautiful,” a seemingly emotional [Jada Pinkett] Smith told Yahoo Style. “This is my first show of his and it just validates why I love him so much. It was such a poignant idea, that this land is ours and this is what we have to do for each other.” And since this is Paris fashion week, she quickly added, “On top of that looking good while doing it.”
http://www.theguardian.com/fashion/2...-catwalk-stunt
It was quite Leigh Bowery and, according to critics in the room, felt “moving,” “disquieting” and “impressive”. It was also “a tribute to female strength” that “suggested the physical labours of pregnancy”.
Jezebel’s analysis doesn’t feel too bawdy given that Owens’s last big catwalk caper involved male full-frontal nudity – models wore outfits with crotch holes cut out – and precipitated a media furore. But while the mainstream press was giggling, critics celebrated the show’s brave take on the themes of “compression” and “pressure built up in silent vessels filled with energy”.