Link
From last November, but still hilariously ignorant and representative of the problem people talk about when they refer to entryism:
Favourite clangers from the article, parts in bold highlighted for emphasis:
Perhaps the closest a female-fronted act came to headlining a metal package was Halestorm at Rocklahoma. That festival, held this past May east of Tulsa, amazingly hosted at least five bands with female members...out of more than 100. (Did I mention it's 2015?)
While promoters certainly fail women, most media coverage of female metal musicians merely treats them as novelties. As it persists in seeing them as unconventional or worse, in purely sexual terms, women are still not equal. Instead they are either called out for perceived “slutty” clothing or not covered at all due to being (allegedly) not sexy enough.
Women can’t win. What coverage female musicians do get often focuses on sideshow, gimmicky crap. For example, BABYMETAL — a band only a pedophile could love — gets more press than many outstanding women musicians. Too many women whose talents are spotlight-worthy remain unknown. Can you name 20 metal acts with at least one female member? Ten? Even five? Didn’t think so.And even if metal fans are principally male, why are they reluctant to cheer for a female-fronted band? Never fail to understand this: because being a fan is an act of submission. It’s the same reason men can't wait destroy a successful female player in a live-action role-playing video game. Lower-ranked males despise the disruption in hierarchy represented by a successful female. They’re jealous, and don’t want to give up power.
Or worse, they either fail to see the common humanity in a female or believe they’re just not worth hearing. The empathy gap in metal is so enormous that the problem is systemic. Until metal fans can appreciate metal for the music and not just who plays it, metal will remain the dark fraternity it is.Know this: metal's female musicians and fans will keep claiming a role in the music we love, because we deserve to be here too. Our presence in all categories will continue to grow. We will not go away, we will not remain as props or objects. We have a voice and we will be heard. Women will take their equal share, not because men will relinquish it to them but because it's already theirs. As Kurt Cobain so beautifully predicted in 1994, “The future of rock belongs to women."
And besides, it’s already 2015.