In the face of growing public antipathy, zoos may be ushering a new era – from an £18m playground for giant pandas in Copenhagen to virtual reality animal watching in China.
In early June, when animals were feared to have left Eifel Zoo in Germany after flooding breached the zoo’s fencing, you could hear the cheers echo around the world. A week later, a dream-like video emerged of an elephant walking through the small town of Neuwied, in the east of the country, having escaped from a local circus.
Social media went wild. Public sentiment was defiantly on the side of these defectors, applauding their righteous break for freedom.
Zoos, circuses and safari parks are increasingly seen as places of kidnapping and imprisonment, and public antipathy towards them is spreading beyond the likes of Peta. Within the last few years Buenos Aires and Costa Rica have said that they will close their zoos and release the animals, and while the outcome of both plans is still awaited, they have been widely applauded for the statements alone. And closer to home, zoos have had a terrible run on the public relations, from the Black Isle Wildlife Park in Scotland, which was instructed to close down in 2016, to the South Lakes Safari Zoo in Cumbria, where a documentary called Trouble At The Zoo exposed that many animals had died, leading to boycotts from local schools. When the European Association of Zoos and Aquaria conference took place in Belfast in 2016, a local councillor called Chris McGimpsey compared the local Bellevue Zoo to a “Victorian peep show” where we “gawk at animals through the bars”. Some go further yet, likening zoos to slavery and colonialism, an exploitative format that is in its swansong.
All this zoophobia shows a growing disquiet towards the use of animal captivity as entertainment, says Ben Minteer, zoo expert and bio-ethicist at Arizona State University, and the lead editor for a new volume, The Ark and Beyond: The Evolution of Zoo and Aquarium Conservation, which examines the future of zoos. “After all, zoos have quite a shady past with menageries and we’ve all seen those woebegone animal displays,” he says.
“Reputationally, zoos are becoming more and more difficult.” “Slum zoos”, dolphinaria and performing circuses are particularly despised and are being dropped by travel agents and tour operators: all part of a greater consciousness about animal sentience and suffering, as well as an awareness of captivity related pathologies, which are said to include cannibalism and malnutrition to the repetitive activities known as “zoochosis” – not to mention a growing concern for the rights of animals. Some of the new findings are disturbing.
A recent study found that elephants in zoos live only half as long as wild elephants.
So can zoos survive in this more critical era? Yes, says Minteer. “The zoo concept is still highly popular.” But they’re having to change, and designers and zoologists are stepping up to reboot the zoo for a more ethical generation.
In April 2019, Copenhagen Zoo opens trendy architectural firm BIG’s £18m panda house for two giant pandas from Chengdu, China. Built to emulate their habitat, it has walkways for visitors to feel as if they’re mingling with the pandas: but defiantly on their terms, not ours. BIG’s approach is to subvert the human gaze and challenge the zoo animal as a “foreign object in a new land” – it also hopes to assist the pandas’ notoriously patchy sex life by way of this “behavioural enrichment”. “To design a home for someone is like capturing their essence, their character and personality in built form,” rhapsodised Bjarke Ingels, director of BIG.
Indeed, Denmark seems to be leading the zoological charge. Givskud Zoo in Jutland is currently raising funds for a long awaited and much vaunted 300-acre project called Zootopia, which hopes to open in 2020 and reboot the zoo by losing walls and cages, allowing the human into the animal realm, rather than the other way round. After a futuristic proposal by BIG that included self-propelled glass and bubble vehicles were considered, the concept is now being refined and as Givkud’s director, Richard Østerballe says, it’ll most likely be “a pedestrian experience with sailing as an option”. But the immersion of human into animal space remains its big idea, and Givskud hopes to show the way to the zoological future.
“The whole setup of Zootopia is the idea that the animals in place have created their own free state in Denmark,” says Østerballe. “They invite us people in to hear about their lives and teach us humans to respect other universes and other ways of living on this earth”. Østerballe adds that it can only be credible if the design is driven from the perspective of the animals, and by “making human barriers disappear as much as possible”, which he admits is a huge challenge. “People desire proximity but with many animals this is a dangerous task.” (After all, look at Harambe, the gorilla in Cincinnati Zoo, shot in 2016 after a boy got into his enclosure, and the woman attacked by a polar bear in Berlin Zoo in 2009.) But it’s possible, he believes, and points to the beginnings of Givskud Zoo almost 60 years ago as a safari park – an earlier immersive paradigm that is now being rethought because of the use of cars.