The majority of the complaints focused on the character’s child-like klutziness and cluelessness. Older Star Wars fans were the harshest, offended by the presence of a high-pitched, high-energy, floppy-eared amphibian in what they considered a grownup galaxy. “I had death threats through the internet,” Best says. “I had people come to me and say, ‘You destroyed my childhood.’ That’s difficult for a 25-year-old to hear.”
But as Best’s friend Seth Green notes, the Star Wars lovers who rejected Jar Jar’s kid-pleasing shenanigans weren’t the character’s target audience in the first place. “When Episode One came out, it was after many years of no Star Wars,” says Green, a co-creator of Robot Chicken and a longtime Star Wars aficionado. “Fans who were young kids when the original trilogy came out were now adults with kids of their own, and they were trying to compare this new film to feelings accumulated over their entire lives of loving and re-watching the original trilogy…Obviously, adults wouldn’t like Jar Jar. But Ahmed didn’t deserve any scorn.”
Because Best was online and connected to the greater Star Wars fan community, he couldn’t avoid the blowback. Two of the forces that had shaped his creative life—the fandom of Star Wars and the freedom of the web—had been turned against him, and the abuse he endured was a sign of how the internet, even in the pre-Twitter era, could both personalize and dehumanize a pop-culture figure all at once.
“There were a lot of tears, there was a lot of pain, there was a lot of shit I had to deal with,” Best says. He takes a break from his meal, and leans back in his seat. “Everybody else went on. Everybody else worked. Everybody else was accepted by the zeitgeist.”