The scene where Galadriel is in super slow motion riding a horse with an excessive smile on her face was just too ridiculous and so unnecessary. Don't know what they were thinking with that one.
The scene where Galadriel is in super slow motion riding a horse with an excessive smile on her face was just too ridiculous and so unnecessary. Don't know what they were thinking with that one.
You clearly see the whole romance plotline too - but Galadriel ahs a husband doesn't she, and she's a Noldor too, also weren't elf-human relationships like only 2 ever happened? [fine you could argue many more could have been around and only two reached marriage status, but the way Tolkein framed it, made me feel ike the rare exception of 2 is all - and that was because the human halves were truly exceptional, enough to impress elves, Elrond's parents being the first, and Aragorn/Arwen the second).
Ifat least Annatar appeared as an elf and caught Galadiriel's attention, the romance vibes may have been more in line, but then canonically, isn't she supposed to have a husband
As a buddy of mine said, they move quickly to another scene so they can do nothing of importance. Like I get world building, but you have to make the watcher invested in the world with some hook before you build it around them. I guess they were trying to make that Galadriel, but the way she is portrayed is so unlikable it doesn't work. The only character I have really liked is Elendil (though he has some bad dialogue too, no fault of the actor), with the dwarfs being fine too (Duin III seemed perfect, but he only got like 2 lines). Halbrand is okay, but think he just gets elevated by the rest being stinkers.
The show does a lot of telling and not a lot of showing somehow. Like we see Arondir get captured, fair, but then suddenly every single elf in his troop was captured what the same/next day? After they all missed the swath of trees being cut down, and they were basically (the ones we know of at least) taken alive just to be killed later in the episode? I know they wanted to raise the stakes and make use feel something, but honestly I just didn't care as I had meet the characters once. You can tell that Payne and Mckay had some clue about what to do, but no clue how to pull it off.
3, Beren and Luthien, Tuor and Idril and Aragon and Arwen, though I think there were another 1-2 that mentioned relationships but not marriage. They did go something new in the show in that they finally had a male elf and female human pairing with Arondir and Bronwyn, but man if they even go through with this shipping of Galadriel and Halbrand they are subtly implying it will be so fucking bad, and if he is Sauron, I think I will take that as proof Payne/Mckay actually hate Tolkien and want to destroy his characters.
I mean I never said that? I was implying the lack of them showing anytime passing, how it certainly doesn't help when we have no time/time scale in the show to guide us to anything.
For the Arondir situation we are never shown him as prisoner for a time period adjusting then the Elves coming in later, we just see him and behold they are there too (again was more pointing out the lack of showing vs telling than complaining about things happening at the same time).
Things happen, we move to the next scene, and we have to infer how much/little time passes. They don't even give us snow or changing of trees to signify seasons. As a watcher you have to guess how much time is passing, as you never get ANY CLUES even to get a reference, things just happen, quite a bit off screen, and you get to infer (because the writers couldn't be bothered to develop a script that even subtly informs us) everything in between the scenes.
The sad thing is that they believe they ar doing him justice, and enhancing his work.
The culture of subversion is ripe and now is the standard and even expected amongst the Hollywood bubble, and it is indeed a bubble.
Subversion, like JJ Abrams loves to do, works well when it is the un expected exception to the normal canon - often in a place where the nromal line is done badly or the majority of things that use the classic trope are either unimaginative or just over done - so doing a subversion comes off well.
Subversion has never been good, it's only buzz was it's novelty, but when everything now subverts, it's actually boring and just plain ol bad,. They think though it's great, so they 're doing all this mixing thinking it's a good thing and enhancer, and I wouldn't be at all surprised if they don't even know why this is bad, or failing.
Anyway, the sort of mixtures they have in the show, would have made much more sense in a world AFTER Lord of the Rings, not one set before, which has some rather clear defining lines, and needs to be established in the original canon completely, to show the wonder and detail of Tolkein's work, before you start thinking of doing subversions or "re-interpretations".
My point is people don't know what the original established stuff is well enough before now going to throw in their kinks.
And thanks for the elf/human couplings - After seeing Arwen/Aragorn, i would have focused on more showing the usual, an elf/elf romance which is the norm, and which we've never seen.. but I'm glad they did not, because they totally miss the elves - without much, look how different the LotR trilogy elves come off compared to these ones.
Forever, lol, they've been around since the late 80s. That's in most of our lifetimes.
Sidney Poitier is probably the earliest example you can find of a black leading man, and he was one...in the 60s. Then cinema, seeing that black people loved Sidney Poitier, instead of incorporating them into mainstream Hollywood, spun off a whole industry of blaxploitation films, trying to keep black cinema "separate but equal (but not really ever equal as the name blaxploitation implies)" from Hollywood. Even major sitcoms were separated this way. It wasn't til the 80s that black actors started finding success mainstream. And it wasn't til The Cosby Show and Fresh Prince that white people really started watching shows compromised mainly of black actors.
This isn't some old, long-healed scar. This happened recently.
Annatar wasn't an illusion, a casual disguise Sauron could put on and take off like a Scooby-doo villain's rubber mask. To become the Lord of Gifts and successfully fool Celebrimbor, et al, Sauron had to truly invest himself in the role. Sure, he could keep his dark purposes hidden in his heart (which is why a keen judge of souls like Galadriel would have nothing to do with him), but it was a very thorough guise.
One of the questions in the lore (which I sadly suspect will go completely unexplored in the show, along with much other potential) is why, after the (hilarious) flop of his Ring-scheme, it takes Sauron the better part of a century to actually go to war with the Elves. The answer is in the recently published The Nature of Middle-earth. While Annatar was a brilliant form for deceiving elves, it was a terrible one for ruling Orcs and Men as a dark lord. When Annatar tried to go dark-lording on the sly while on vacation from Eriador, he got laughed at. By orcs. Sauron had to abandon his "life" as Annatar and take on a a new and more terrible aspect in order to become the Dark Lord of the Second Age.
When I first heard about The Rings of Power, I was hoping that they'd focus on the Annatar-Sauron deceit and transformation. We should like Annatar. He should genuinely be friends and collaborators with Celebrimbor. And that should make his betrayal and subsequent acts all the more horrific. Instead, I fear Sauron/Annatar is going to become a mystery-box, where the mystery is far more important that the contents.
On a tangential note, if Halbrand is Sauron (as I hope he is not, though they certainly seem to be hinting pretty hard), then episode 2 should be seen as Ulmo doing his best to kill him.![]()
"For the present this country is headed in directions which can only carry ruin to it and will create a situation here dangerous to world peace. With few exceptions, the men who are running this Government are of a mentality that you and I cannot understand. Some of them are psychopathic cases and would ordinarily be receiving treatment somewhere. Others are exalted and in a frame of mind that knows no reason."
- U.S. Ambassador to Germany, George Messersmith, June 1933
So I rewatched episode 3, and I just noticed there was a part where one of the Númenóreans called Galadriel, 'knife ears' as a slur. The RoP writers big fans of Dragon Age it seems :P
I love Warcraft, I dislike WoW
Unsubbed since January 2021, now a Warcraft fan from a distance
Its the first time i picked up on it. Was trying to think has that term been thrown around in other media or even in Tolkien before? Because I know it specifically from Dragon Age. If it hasn't then someone in the writing team loves Dragon Age. :P
Which is a compliment to the dragon Age franchise if I must say :P
I love Warcraft, I dislike WoW
Unsubbed since January 2021, now a Warcraft fan from a distance
On human-elf relationship, beside Beren-Luthien and Aragorn-Arwen, the most notable that is often forgotten is the other half of their common lineage, that of Tuor-Idril, the latter being a Noldor princess born in Valinor during the Years of the Trees, resulting in the often referenced Earendil, which was the father of both Elrond and Elros, the latter being the first king of Numenor.
Another that is much lower profile but also has direct lore links with LotR is that of Imrahil of Dol Amroth's ancestor with a silvan elf which was a follower of the lost Nimrodel.
"It is every citizen's final duty to go into the tanks, and become one with all the people."
~ Chairman Sheng-Ji Yang, "Ethics for Tomorrow"
Time isn't really passing. The things we see are all happening "in real time" in relation to each other. This really seems like a complaint that is there just to find something to complain. It is a problem that isn't really a problem and not even indicative of a bad script. Not to mention the Harfoot migration is likely that "subtle clue" since the Meteor Man was shown falling in all viewpoints.
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It doesn't subvert. It just exists. There being different skin tones changes little to nothing about the world of Tolkein and it is crazy to keep making the argument that Tolkiens work is some how harmed because it isn't as white as it was before. Even elf human offspring is not a subversion of the lore since Half-Elves exist and were given a choice to keep their immortality or become mortal.
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It might have originated from Dragon Age but it has long since entered common usage across many different stuff that has "pointy-eared" characters. It has been 13 years so it was bound to diffuse.
"Man is his own star. His acts are his angels, good or ill, While his fatal shadows walk silently beside him."-Rhyme of the Primeval Paradine AFC 54
You know a community is bad when moderators lock a thread because "...this isnt the place to talk about it either seeing as it will get trolled..."
So Galadriel was wrong for hundreds of years, until a man showed her how to read a map lmfao.