Hmf...elves...dwarves...humans... maiar.. Yeah, Tolkien was very racist. However skin color just never seem to enter the equation.
Would this be the same death people said was coming when they made Jane foster thor or put a black girl in a iron man suit or even made a storm trooper black? Because if so it seems to be a very long death and from all appearances doesn’t seem to have slowed harmed of said culture at all, its actually seems to have grown it quite a bit.
All I ever wanted was the truth. Remember those words as you read the ones that follow. I never set out to topple my father's kingdom of lies from a sense of misplaced pride. I never wanted to bleed the species to its marrow, reaving half the galaxy clean of human life in this bitter crusade. I never desired any of this, though I know the reasons for which it must be done. But all I ever wanted was the truth.
All I ever wanted was the truth. Remember those words as you read the ones that follow. I never set out to topple my father's kingdom of lies from a sense of misplaced pride. I never wanted to bleed the species to its marrow, reaving half the galaxy clean of human life in this bitter crusade. I never desired any of this, though I know the reasons for which it must be done. But all I ever wanted was the truth.
Though to be fair, they're not making their money on comics. They're making it on non-comic products that are branded with comic-book IP.
Actual revenue for comic books for the entire industry is less than $1b a year. That's what a single Marvel movie makes, not counting the toys, video games, etc. etc. THAT is where the money is coming from. Actual comics are in steep decline.
while yes the big bucks come from else where the comic industry has been over a billion a year since 2015 and has been on the rise since every year but 2017 since atleast 2012.
https://www.comichron.com/yearlycomi...ustrywide.html
Last edited by Lorgar Aurelian; 2022-02-23 at 10:51 PM.
All I ever wanted was the truth. Remember those words as you read the ones that follow. I never set out to topple my father's kingdom of lies from a sense of misplaced pride. I never wanted to bleed the species to its marrow, reaving half the galaxy clean of human life in this bitter crusade. I never desired any of this, though I know the reasons for which it must be done. But all I ever wanted was the truth.
Not at all true. The comic implosion happened because of poor business practices. Reading quality wasn’t relevant. Every time a comic makes someone angry, someone else is delighted by it. A fair chunk of the business is driven by people who like their monthly stories and want to keep what they have after they read it. Combine that with the North American industry being somewhat more diverse in its offerings and a variety of Japanese and European comics being more readily available, we have an industry that’s at least functional. It’s tough to compete in a streaming universe but some people just like the format.
Ah, we're talking about comics yet again?
American comic books begin to collapse in the 90s due to genrefication. Comics became about capeshit, and they were all soap operas following the same heroes regurgitated over and over again for the past half century. Thus, comics go from being mainstream to being niche.
X-Men was cancelled for low sales in 1969, but it was still selling almost 250,000 copies per issue, and X-men was on the newstand at Wallgreens. Compare that today's comic sales, where Marvel and DC are struggling to sell even 5,000 copies a month, sold in a comicbook store that is a 40 minute drive away from your house run by a fat smelly guy who knows way too much about them, and the comics are made by unlikeable narcissists.
Anime overtook over American comics and cartoons because Americans renounced their ability to tell good stories about 40 years ago. It took anime and manga a long time of building up a word of mouth reputation before Americans realized that they had a choice to consume stuff that wasn't garbage.
The manga industry also puts out high quality art in a timely manner. Meanwhile, American comics don't even look good, and you barely get 40 pages every 2 months, and the plot moves at a snails pace. *Snooooore*
Japanese Manga is extremely popular because it serves multiple markets. You have highschool slice of life. You have fetish manga. You have epic shounen adventure stories. You have sword and sorcery manga like Berserk. You have romantic comedies. You certainly don't see any romance comics coming out in America. Marvel is stuck in a genre that died 30 years ago. This is why American indie kickstarters that promise YET ANOTHER SUPERHERO COMIC struggle so much, and indie kickstarters that don't fill that hole are so successful.
The hate for manga in the West comes from the West's jealously. The West is upset that their comics haven't been mainstream since the 90's. Eastern European comics also exist, but they didn't have the decades of word of mouth built up like manga did.
You can't have stakes in American comics when the story is going to be rebooted in a couple years or so. The stories aren't as interesting when they are variations of the same story (Batman protecting Gotham from the Joker, interacts with Gordon, etc etc). Notice how in Japanese manga, you don't have stories that go on for forever. You don't really have sequel mangas or spinoff mangas or alternate continuity reboots. You have the one story, with a beginning, middle, and end, and that's it. That's the manga.
This does not account for inflation. Sure, the American comics business might be making more money today than it was 10 years ago, but it is still dwarfed by comics industry of eld.
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Yup. When Jim Shooter was fired and Marvel started turning into soap opera crap, that was the death knell.
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In addition to the abysmal quality of Marvel comics, awful distribution practices also killed the business. Customers buying a comic does not result in that comic being renewed to continue/prevent it from being cancelled. The fate of the line is decided before it even goes on sale. Readers don't know what's coming out until it's already out and that pre-release period is when the business decides whether or not to axe a line.
They've only had to go the controversial route in comic books relatively recently. The quote is from a decade ago. (After the late 80s...they tried to hold on, but the 90s became a hole sucking away interest.. after years collecting comics I myself quit, only sporadically poring through an occasional issue in a book store of all places.
While yes western comic's have been over taken by manga globally it's important to note that this is solely because manga sells well in the east and not because westerners prefer it over comics.
magna sales in the west make up less then 20% of comic industry and notably sell less then floppies alone which are only a faction of the industry.
here are the relevent link's for any one who is curios or if you just want to look at charts and not read through stuff my post here has charts for 2020 that I'm not gonna clog this thread up with.
https://icv2.com/articles/markets/vi...time-high-2020
https://www.comichron.com/yearlycomi...ustrywide.html
Sure they make less then at there peak but that's kinda irreverent to them being a billion dollar industry that has been growing almost none stop since the 90's crash.This does not account for inflation. Sure, the American comics business might be making more money today than it was 10 years ago, but it is still dwarfed by comics industry of eld.
All I ever wanted was the truth. Remember those words as you read the ones that follow. I never set out to topple my father's kingdom of lies from a sense of misplaced pride. I never wanted to bleed the species to its marrow, reaving half the galaxy clean of human life in this bitter crusade. I never desired any of this, though I know the reasons for which it must be done. But all I ever wanted was the truth.
American comics were mostly about superheroes since the sixties. There were always some diversity such as the Undergrounds* but the direct market allowed people to start experimenting. TMNT, for example, is arguably a superhero comic but only in the same way Dragonball is. It took awhile but eventually we started to see well-produced comics that aren't about super heroes.
Furthermore, I'm not overweight and I bath daily. I do know a lot about comics though. Much more than you do.
Jim Shooter loved soap opera super hero crap. For every good comic produced under his tenure there were 5-10 shitty ones. Jim Shooter was an effective EIC because he was a disciplined business man. He was still producing dozens of comics every month and its not easy to keep that quality consistently high.
Final orders for a comic are about 3-4 weeks before release. Solicitation details are known much further in advance. Most comics are cancelled because of poor sales after release.
*I bought the ZAP Comix slipcase a couple months ago. Watching the Freak Brothers cartoon made me nostalgic. Its really nice. Every serious comic fan should get it.
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There are plenty of people who love nineties marvel comics. I know people who actually like Rob Liefeld. Controversy is relative. I have two female customers who are big Gambit fans and I clown both of them for liking a shitty character. Gambit made me stop reading the X-men but it won't stop me from selling his comics. Pick any controversial story and you won't have to dig too hard to find someone who likes it.
Getting back on subject here with LotR, some people are angry about "changes" but some people want to see these "changes". Personally, I'm ambivalent because I'm old, crusty and patient. Also I get to mock snowflakes who are butthurt about something they haven't even seen.
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IDW lacks diversity in their offers. They mostly do a good job of peddling licensed material but licenses cost money and that hurts the bottom line. Dark Horse always had a healthy combination of licensed products, European and Japanese comics, original content and collectibles. They're relatively more stable. Same with Boom.