Did I miss something?
Men were mortal from the get go. Primordial men, so to speak, just had longer lifespans than your average human.
The gift of Illuvatar and all that, that men were "able" to die and have their spirits leave the world.
The only result of Morgoth's corruption, which greatest impact was seen much later, was men beginning to resent that died. Yada, yada and later they invade the undying lands.
That's incredibly inaccurate. Elves were the First Born Children of Illuvatar and are immortal, their souls bound to Arda for all time. After a relatively rapid growth phase (becoming equivalent to age 18 after 72 years-of-the-sun) they enter their Life-Years. Their "Youth" lasts around 7000 years of the sun and "Maturity" another 7000. They then enter a time of "Fading" but this is not really dealt with in Tolkien's work as few reached that age by the end of the Third Age. Elves can die through physical trauma or, in essence, great sadness and their spirits go to the Halls of Mandos where they may remain or become Incarnate again.
Men, the Second Born Children of Illuvatar, were always supposed to be mortal, their bodies age and die naturally and their spirits pass through the Halls of Mandos where their fate is known to none, not even the Valar. The only Human known to return from the Halls of Mandos is Beren who was allowed to live out his days with Tinuviel the Elf (part Maiar) who gave up her immortality. This was only allowed by the Valar beseeching Illuvatar.
The Elves of later ages, and particularly those who dwell in Middle Earth, are lesser because they are not spiritually nourished the same way. Living in Valinor close to the Valar under the Light of the Trees created the mightiest of Elves including Feanor and Galadriel. After they came to Middle Earth in the Ages of the Sun their powers and those of their descendents diminished.
There was a race of men ruled over by the half-elven descendents of Beren and Luthien who dwelt on the island of Numenor, positioned halfway between Valinor and Middle Earth. They were rewarded for their acts against Morgoth with long life measurable in centuries. However in generations this long life gave way to a great fear of death and Sauron manipulated them to resent the Valar, eventually leading to a rebellion, the destruction of Numenor and the Closing of the Way where Illuvater made the flat world into a globe with a single path to Valinor that Men could not find. Those who remained loyal and fled before the destruction of Numenor saw their lifespans diminish until most were the same as other races of Men, though their royal line kept some longevity, hence Aragorn being 86 years old during Lord of the Rings and living to be 210.
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The Galadriel they're presenting in Rings of Power seems to be based on Tolkien's later notes. Her story and character underwent many revisions and Tolkien had barely scratched actual events in this period. Remember the Silmarillion was not a finished piece of work and Christopher Tolkien scraped it together for release after JRR's death. His many notes, letters and unfinished tales tell often contradictory stories. "Full of piss and vinegar" is probably a decent way to describe the restless Galadriel Tolkien described as an "Amazon" (warrior woman) who's mother-name meant "Man-maiden," who chafed under the tutelage of the Valar, fought fiercely against Feanor at the kinslaying and remained ever wary and vigilant for the evil of Sauron after the banishment of Morgoth. Also don't forget that by Tolkien's reckoning of elven aging she was just leaving her "Years of Youth" and entering the "Years of Maturity" at the end of the Third Age when she sailed West (at the end of Lord of the Rings.) Her mortal-equivalent age during the Second Age was early 20s to early 30s.
"But the sons of Men die indeed, and leave the world;wherefore they are called the Guests, or the Strangers. Death is their fate, the gift of Iluvatar, which as Time wears even the Powers shall envy. But Melkor has cast his shadow upon it, and confounded it with darkness, and brought forth evil out of good, and fear out of hope."
It's thought that Andreth's myths are the result of Morgoth or Sauron influencing Men in their earliest days to resent their mortality. This is exploited by Sauron when he convinces the Numenorians they had been deceived by the Valar, and Illuvatar was their creation devised to keep Men in their place. Following this came the attempted invasion of the Undying Lands, the Fall of Numenor and the Changing of the World.
The absolute state of Warcraft lore in 2021:
Kyrians: We need to keep chucking people into the Maw because it's our job.
Also Kyrians: Why is the Maw growing stronger despite all our efforts?
Considering that the Elves for much of the history were the greatest smiths I should think we will see far better.
Elven smiths predominantly made chain mail and besides the dwarves were greater smiths than even the Noldor.
It would be interesting if only the elves of Eregion wore plate to symbolise their friendship with the dwarves of Moria but it's probably a stylistic choice like the Men of Gondor wearing plate in LotR movies.
How would that be ironic?
Going by the vast majority of adapted stories in the past 5+ years, how many of them have been anything but poorly written fan-fiction? They almost all end up this way with only a small group of online trolls shilling for them, who generally don't even watch the shows in question.
Honestly, its more ironic if after ALL OF THE NEGATIVE PRESS for this show, it turned out to be utterly faithful to Tolkien and was liked by lots of people.
Is that your opinion on Peter Jackson's LotR trilogy too? Genuinely curious as a lot of people who seem to care about the purity of Tolkien's vision are more than happy to handwave changes Jackson made while railing against Amazon.
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The Boys, Good Omens and The Expanse were all pretty good. American Gods started strong at least.
Quite a few, actually.
But most of those were passion projects by people who wanted to adapt them. The problem here is a shitty company secured rights to a property because they're just desperate to create a new Game of Thrones. That's how you end up with drek like what this is almost assuredly going to be. It only adds to the garbage when they then go on to hire people for their names rather than their interest in the actual property; see anything Michael Bay or J.J. Abrams put their disgusting hands on, such as The Transformers and Star Wars/Trek.
It extends past adaptations, too. For example, it's why a show like The Mandalorian rocks while the entire sequel Star Wars trilogy was utter tripe.
Last edited by Infinity Cubed; 2022-06-11 at 10:59 PM.