Don't tell me LOTR is going the Warcraft III route and white-washing the ugly barbarous beasts known as "orcs".![]()
Don't tell me LOTR is going the Warcraft III route and white-washing the ugly barbarous beasts known as "orcs".![]()

Well, yeah that's fine. People can decide for themselves whether they like or dislike something. That's not what we were talking about, though. You made blanket statements about modernizing and re-imagining classic stories, specifically those with a single creator, as both a recent trend and altogether bad. That's simply not true as it is a trend that has been going on for generations and has produced some fantastic works of art.
Hell, even considering the much-hated Disney, the animated movies of the 90's still hold up to this day and almost all of them drew from established stories/authors (Hans Christian Andersen, Victor Hugo, etc). All of them were GREATLY altered from their original sources, but still very much recognizable as adaptations and became classics themselves.
The Obi-Wan show ended pretty well (IMO). It certainly had some issues early on, but then again there hasn't been a Star Wars product since Empire that hasn't had its fair share of rubbish. The primary characters of Kenobi and Vader were decently portrayed and had some good moments together that still tied in with both the prequels and OG trilogies, which (to me at least) was really what mattered.
I never finished either the books or the show for Wheel of Time, so cannot speak to that one, but a recent adaptation that did irk me was Without Remorse. One of my favorite Clancy novels, the adaptation that was released last year was a disappointment. Not because the main character was cast as a black man or that the story was modernized rather than set in the 1970's, both of those changes worked just fine. It was that the story was drastically changed from "seasoned special forces veteran dragged into conflict with pimps and drug lords" to "seasoned special forces veteran dragged into conflict with Russian special forces terrorists trying to start WWIII".
Anyway, I only bring that up to point out that big changes aren't necessarily the same thing as changes to the core of the source material. For Without Remorse, changing the time setting by 45 years and casting Michael B. Jordan were "big" changes in terms of visuals, but they weren't changes to the core of the story. Likewise for Rings of Power, I haven't seen any good arguments that the core of Tolkien's works is being changed. Not only does it help that the show is covering events that were never fully fleshed out in the source material, it seems like most detractors are only focused on relatively minor details. Nothing I've seen so far (warrior-ish Galadriel, dark skinned elves, female orcs) really detracts from the source material which even Tolkien himself recognized was simply a foundation to be expanded upon.
But sure, the story might well end up being shit, but not because of any of the things that people who have only seen pictures and trailers are bitching about.
There's only one gauge for whether people are going to like or appreciate it, and it's whether it's done well.
If it's a good series, then people will like it and remember it for what it is. If it is done poorly, then it will be forgotten or live on in infamy.
Whether the story is altered or not is irrelevant. Peter Jackson's LOTR Trilogy is HEAVILY altered from the original books, but it's a great movie series. Hobbit followed in the same vein, and was poorly received. Both altered many things in the books, and it wasn't down to one being more successful than the other because it stayed true to the source. Hardly the case at all.
The PJ LOTR Trilogy is so well received that most people's recollection of LOTR has become altered by the medium. For example, most people will associate Legolas having Blonde hair because of the movies, even though his hair color was never actually described in the books. Or they will see the Balrog as a winged creature, even though it was never described with wings in the books. It's not true to the source, but it has become so popular and well accepted that the alterations don't get in the way of the enjoyment of the series. That is the beauty of adaptations; they present new ways of interpreting the fiction. A winged devil-like Balrog looks more intimidating than if it did not have wings.
Last edited by Triceron; 2022-06-24 at 05:02 PM.

Most Orcs aren't really sentient though in Middle Earth. Those with any level of agency like the pack leaders, are still controlled by much more powerful beings like Saruman, Morgoth, Sauron or the Witch King. They basically amount to slaves with a singular mindset and that is of those controlling them. Robert Jordan used similar concepts for the Trollocs in WoT, though Trolloc hordes in those books actually have a pack leader with them at all times for the majority of the series (it isn't until much later that they are seen without a Myrdraal leading them).
Orcs may technically be considered 'soulless', but they are considered sentient beings. Even if their mindsets are singular, they are individually so, and not privy to some animalistic 'hive mind'. Trollocs are not mindless either, and despite a low intelligence, are still considered sentient.
so in summary, you agree with my statement regarding harfoots, in that they never existed in any of the works that this pathetic excuse for a media company have the rights to, and as such there's no source material ergo they are a fan fiction creation of pure fantasy by these so called show runners, yes?
i have no idea what you're talking about 'goalposts' for when it's very clear my context is entirely focused upon the material they have the rights to, and as such EVERYTHING they have shown thus far is fan fiction pure and simple, it is not grounded in the lore of the Tolkien universe, it has literally no basis in lore for anything that they have shown regarding teaser material, and yet you're here telling me i'm wrong?
based on what has been shown so far they are trying to springboard off the downfall of numenor, meaning that this takes place around 3300 SA, and they have come out and said that they are going to be bending the space-time continuum to make it so events that happened centuries apart are going to happen almost concurrently throughout this show, meaning that people who would never have met are all of a sudden going to be best friends, and places that fell into ruin are suddenly going to be vibrant and full of life because they need it that way for whatever bullshit story they are trying to tell to make sense, but i guess you glossed over that part entirely?
'what do you consider to be the canonical character of Elrond at this point in his life, what are you basing it on?': assuming they are using the time period i have said above, within a few centuries of time Elrond was not only the herald to Gil-Galad the last high king of the Noldor, he was a warrior, a tactician and great scholar, he knew battle tactics and was fearsome in battle in his own right and within a century of the fall of Numenor he was leading the line of Noldor alongside Gil-Galad across the plains of Gorgoroth as the last alliance of men and elves, yet in this show they are trying to portray him as some kind of feeble and weak politician who acts behind the scenes and is very hands off, please tell me where in any of the written works 'The Hobbit', 'The Lord of the Rings' and their appendices it's stated that Elrond is in any way some kind of shadow character who is only interested in politics at this point of the second age?
my comment about the super elf and his taboo romance is his entire plot, he is some kind of wandering elf who makes friends with a single mother who is human and they fall madly in love, that's his entire plot, also, he has the magical power to slow down time and pull arrows out of the air and fire them back at the person who originally shot them, because we all know that elves have those kinds of powers /s.
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i don't see what the dungeons and dragons characters have to do with middle earth lore and characters therein, but sure, nice strawman you got there, same goes for WoW, what in any way shape or form has that got to do with the price of cheese?, in short nothing whatsoever you just seem to be using it as justification for bad writing/casting.
i never watched the hobbit films so i can't answer your probably rhetorical question of whether the still images i have seen online of the female dwarves in those films having some degree of facial hair making the films mediocre, i can tell you from the memes and the various shorts i have seen of the films that it's a lot more than that most likely.
with regards to legolas in the LOTR trilogy the only reason i could give it a pass is because most of what was done isn't really that egregious, but literally slowing down time and catching an arrow out of the air mid flight without causing severe friction burns to the skin that comes in contact with it, not to mention the sheer idiocy of it all is beyond the tipping point, but you know, keep harping on a broken record.
there have been dozens of absolutely stupendous films made that are pure adaptations of source material with little to no changes made in the source material and it works, and yet here almost everything shown so far as promotional material is not only a pure fabrication of whoever they are paying to write this shit, it's not even believable shit, it's so fantastical and beyond the realms of possibility within the framework of the established lore it's a sick joke and calling it 'faithful' is the same as digging up Tolkien's grave and spitting on whatever remains, i genuinely don't see how you can defend this shit, but again you seem to like tangential things and comparing apples to oranges so i'm sure you'll find a way to jump through enough hoops to make your points stick.

I was actually kind of confused about him responding to you seriously... I mean, it's kind of obvious you were joking, wasn't it? But yeah, you're right, apparently because Amazon made it and is trying to make the show "inclusive", suddenly it justifies their own fanfic. You know, like what they did to the Wheel of Time (and I will never not be mad about that).
No, the Harfoots exist in the history of Middle-Earth as one of the three breeds of Hobbits that existed in ancient times. While they are only recorded by other peoples from the Third Age and the Hobbits themselves have no knowledge of their history before then Tolkien stated they had lived for "many long years" beneath the notice of the great powers, just a relatively humble group in a world filled with strange creatures.
It's a massive shift to go from "these do not exist in Tolkien's mythology" to "they are not specifically mentioned in these particular writings." There's a huge gap in the history of Middle Earth between men awakening and them first making contact with the Elves which is when their recorded history really begins. If the Hobbits' ancestors had split from the other Men before then there is plenty of time for them to become Halflings (if they didn't start out that way from the dawn of the First Age.) So while nothing in Tolkien's writings directly states that Hobbits existed in the Second Age there is also nothing to contradict the idea that they could.i have no idea what you're talking about 'goalposts' for when it's very clear my context is entirely focused upon the material they have the rights to, and as such EVERYTHING they have shown thus far is fan fiction pure and simple, it is not grounded in the lore of the Tolkien universe, it has literally no basis in lore for anything that they have shown regarding teaser material, and yet you're here telling me i'm wrong?
BTW the rights aren't as clear cut as you seem to think. They have the rights to the appendices and that allows them to look at other works where they crossover. They can't use anything from the Silmarillion (for example) that isn't mentioned in the appendices, but it isn't strictly off-limits.
"Bending the space-time continuum" is a bit over dramatic, but yes the compression of the timeline is a concern. I have heard that it isn't solely about moving events closer together so flashbacks, memories and exposition could play a part. Overall it is the biggest challenge they face and it will be interesting to see how they balance the needs of a television show with capturing the spirit of the age.based on what has been shown so far they are trying to springboard off the downfall of numenor, meaning that this takes place around 3300 SA, and they have come out and said that they are going to be bending the space-time continuum to make it so events that happened centuries apart are going to happen almost concurrently throughout this show, meaning that people who would never have met are all of a sudden going to be best friends, and places that fell into ruin are suddenly going to be vibrant and full of life because they need it that way for whatever bullshit story they are trying to tell to make sense, but i guess you glossed over that part entirely?
I think your guess about the time period might be off. It's called Rings of Power and I suspect it might deal with the origin of the rings, moving towards the Fall of Numenor. This means we will see Elrond as the herald and lieutenant of Gil-Galad founding Rivendell which looks like the start of his time as a ruler of territory not just a leader.'what do you consider to be the canonical character of Elrond at this point in his life, what are you basing it on?': assuming they are using the time period i have said above, within a few centuries of time Elrond was not only the herald to Gil-Galad the last high king of the Noldor, he was a warrior, a tactician and great scholar, he knew battle tactics and was fearsome in battle in his own right and within a century of the fall of Numenor he was leading the line of Noldor alongside Gil-Galad across the plains of Gorgoroth as the last alliance of men and elves, yet in this show they are trying to portray him as some kind of feeble and weak politician who acts behind the scenes and is very hands off, please tell me where in any of the written works 'The Hobbit', 'The Lord of the Rings' and their appendices it's stated that Elrond is in any way some kind of shadow character who is only interested in politics at this point of the second age?
Dunno what the /s is for. Tolkien's Elves are powerful individuals and such a feat isn't beyond them at all. The mightiest elves were capable of fighting balrogs for Eru's sake. I think what you are calling a "magical power to slow down time" is probably a technique called "slow motion" used to show the Elf's faster reactions and movements in a way that we can see and appreciate.my comment about the super elf and his taboo romance is his entire plot, he is some kind of wandering elf who makes friends with a single mother who is human and they fall madly in love, that's his entire plot, also, he has the magical power to slow down time and pull arrows out of the air and fire them back at the person who originally shot them, because we all know that elves have those kinds of powers /s.
All this says to me is that you don't really know what there is in the "established lore." Tolkien left a wealth of writings that scholars pick through, and his unpublished works tell many versions of the history of Arda. Don't forget even the Silmarillion remained unpublished in his lifetime and notes and letters show he was going to make major changes to the text that was released after his death.there have been dozens of absolutely stupendous films made that are pure adaptations of source material with little to no changes made in the source material and it works, and yet here almost everything shown so far as promotional material is not only a pure fabrication of whoever they are paying to write this shit, it's not even believable shit, it's so fantastical and beyond the realms of possibility within the framework of the established lore it's a sick joke and calling it 'faithful' is the same as digging up Tolkien's grave and spitting on whatever remains, i genuinely don't see how you can defend this shit, but again you seem to like tangential things and comparing apples to oranges so i'm sure you'll find a way to jump through enough hoops to make your points stick.
Last edited by Triceron; 2022-06-25 at 12:31 AM.
You've defeated me Dhrizzle, because last night I recognized something hypocritical of myself. I loved the video game Lord of the Rings: The Battle for Middle Earth and huge amounts of the game were complete nonsense created by the developers. Like Drogoth the Dragon Lord, half-troll units, Galadriel summoning giant tornadoes. The game was also a commercial success for EA games.
Where did my childhood sense of creativity and suspension of disbelief go, hmm.
We know the earliest stories the Hobbits could trace at the end of the Third Age from when they had contact with the ancestors of the Rohirim. We know they are related to Men so their ancestors awoke at the dawn of the First Age of the Sun. Tolkien said their origins lie in the "Elder Days," a term used to describe the years from the creation of Arda to the end of the First Age of the Sun.
They didn't exist till the 3rd age. You don't say man awoke the first time our ancestors that we could trace are found, you we go with homo sapian usually. Stop trying to push in bullshit fanfic, don't defend this, you can say you like the Hobbits, it doesn't make it correct.
I'm going to treat it like the halo show and give it an episode to win me over. If it goes master chief letting some weird ungrateful little shit point a rifle at his head.Who hates the government for saving her from murderous aliens imma drop it.
I swear television is getting worse somehow.
TV is only getting worse when producers try to use original source material and make a show out of - Witcher, Wheel of Time, Lord of the Rings - pretty much all of it is at least underwhelming or straight out sucks. With new IPs this isn't so bad and there's still hope (looking at The Boys by Amazon or Squid Game, for example). It's just like producers love to take the biggest IPs in the world and just turn them into travesty cringe shows.
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