
Originally Posted by
Endus
Magic doesn't make sense. What matters is if the show/book is consistent with itself. Not to any real-world arbitrary standard, like "medieval europe". That's not an expectation for fantasy, not unless the creators make that choice, and if they're not lining up in some ways, they clearly don't.
And in this case, women being able to handle themselves in a fight, or two women having romantic interest in each other, neither of those are even fantastical, let alone "not making sense". If you've got a problem with either, you're the one with a problem, not the material.
And to repeat how I started; I'm not actually arguing this show was great. I thought it had some interesting ideas but the whole was a bit roughly thrown together, IMO. Like, it got weirdly classist; the original Willow's about a regular dude (Willow), a rogue (Madmartigan), a couple brownies (can't remember their names), and Sorsha, who's very much slumming it with the rest. Here, we've got a prince and princess, her best friend and bodyguard who's about to join an elite warrior group, the servant who's actually secretly the Empress but doesn't know it yet and has crazy magic, and another Prince who's also got magic. And Willow, who's not living much better than before but is highly respected by his community at least. It's lost the grime of the original, and that was a big plus of it in my eyes; everyone who "matters" here already "mattered" or is about to be the most important person in the world. I think giving Graydon magic was just a "what the fuck do we do with this guy" move by the writers, and could've been done better, especially when the point was supposed to be there were no sorcerors left but Willow but the party has Willow and accidentally two more.
Those kinds of issues? Fine. That's to do with consistency with the original or its own internal rhetoric. Bitching about two girls kissing? Stuff your prejudice.