Originally Posted by
Corvus
My job involves keeping up to date on what is going on with books and publishing, all the trends etc. Right now YA is an absolute toxic mess over such very subjects. Someone already mentioned Amelie Wen Zhao and her book Blood Heir - that is just the tip of the iceberg. Self appointed gatekeepers have determined what they perceive as right in the industry and woe betide any author who strays from that narrow path. Review bombing is among the least problematic of what is set upon the authors. Publishers are pressured to abandon unpublished books, authors forced to go on apology tours and careers are sought to be ruined.
I was at a talk a year and a half back with a YA author who was, among other things, decrying that fact that there were only FIVE books written from an Asian migrant POV. Then she went on to say ONLY FIVE again in a screeching fake sincere/fake outraged voice. So of course she had to write a book from that POV, but then she went on to say mere plebs like us shouldn't try that because it was cultural appropriation. It was all right for her to do it though, because she understood them and she was so much better than us.
There is a bit of a paradox going on in YA. They demand more books written about minorities but at the same time you can't dare write about it because it would be cultural appropriation.
Back to Blood Heir. The author, a Chinese woman, wrote a book in which there are depictions of slavery, based on examples in Asia and not of American slavery. No problem there, right? Wrong. Before the book was even published, certain gatekeepers had descended on it like a ton of bricks, having misinterpreted a book they hadn't even read yet. They could only see slavery from an American perspective and read everything through that narrow lens.
You can expect the same to happen with WOT the show as well.