I am confident this is true. So people saying "I do not like ending" "I am smart person on internet" can be ignored because this is the ending that GRRM always intended.
If your argument is D&D total butchered the last 13 episodes because it was rushed and poorly written. I cant really argue with that logic.
The end points can be the same but the journey to that point is what defines a story.
My problem with "D&D are just working off of GRRM's notes is the bit about how it didn't feel right for Jon to kill the NK. If they were working off of Martins notes then it doesn't matter what they think, they do what the notes say. (which is a problem in and of itself because the NK doesn't even exist in the books)
But if they are not following the notes then who knows what is theirs and what is Martin's idea's.
It ignores such insignificant forces as time, entropy, and death
What's wrong with not liking the ending, when getting there has been rushed and written poorly? The ending of a story is judged on the journey there.
I'll get it from the books, and at least the show has made me look forward to the final books more now, but that may be a long wait...
Last edited by Tekkommo; 2019-05-16 at 05:33 PM.
I was listening to morning radio really early, and the host brought on a guest to talk about the petition for HBO to hire competent writers, and she asked why fans are upset. One of the reasons the guest gave was, "Well, they didn't like that there was a Starbucks cup in one of the episodes." And I was like, man, that's BS. I'm largely happy enough with the show, but I'm absolutely cognizant that the complaints about the writing or plot implementation are not without substance. I'm sympathetic, and I quietly cheer on the fans trying to make something great happen with the show.
Her actions and statements all lead to where we're at now.
You've got to overlook all the warning signs to try and make this argument. She's been promising blood and ashes since Season 2, burning people alive throughout, you don't get to claim it's out of character when she follows through on all that, taking the next step on the same path she's been walking this entire show.
This is disingenuous at best. She GREW from that - she was childish and desparate in the scene you're referencing. Mormont wasn't yet fully in her inner circle, she didn't know the truth of Aerys, her father, etc. She grew from that and expressed a more magnanimous attitude. One thing she has been throughout the show is self-righteous and, as pointed out in ep4, convinced of her destiny to sit the Iron Throne. This has made her ruthless, but that ruthlessness has been laser focused on wrongdoers - not just wrongdoers who wronged her, but wrongdoers like slavers. She gained nothing from freeing the slaves of Mereen. Hell, after she got the Unsullied, she was ready to go to Westeros, but she got caught up in the plight of slaves in Slaver's Bay.
It is a valid writing choice for a character to be childish, then grow, and then regress. But if there was actual growth, the childish phase doesn't inform the regression. The problem is, the regression was way too unjustified BECAUSE she had moved on from the childish tantrum of threatening to burn down Qarth. Hell, last season after she attacked the Lannister soldiers, she talked specifically about NOT wanting to be the Queen of Ashes, and put herself in opposition to Cersei's use and abuse of the smallfolk.
As for burning people: that's just her method of execution. I don't know why you proscribe that to be more ruthless or heinous than beheading wrongdoers. All the landed lords in this setting execute wrongdoers.
I read a good twitter thread from a guy who highlighted what I think is the core issue with Seasons 7-8. There's basically two types of writer; plotters and pantsers. Plotters figure out in detail where the plot will go, every nook and cranny, and have detailed outlines they then fill out when writing the book/show. Pantsers figure out character, and then figure out the story as they go, "by the seat of their pants", hence "pantsers". The former usually produce tighter-written plots, but more-wooden characters, the latter tend to produce better-written characters, but their plots can meander and lose focus.
Most writers are a mix, but those are the two poles. A fairly common strategy is to plot the major points, A and then B, and then pants how characters get from A to B and respond to each.
George R. R. Martin is a Class-A pantser. Everything's character-driven. He writes a character, throws them up against other characters, and figures out what would happen. It's why he's so willing to just murder what seems like major characters; it's what that character that killed them would've done in that situation, and he doesn't have a deeply developed plot that requires those now-dead characters to be around later. I don't believe he had any real idea where A Song of Ice and Fire was going to end when he wrapped up Book 1. Maybe the VERY loosest of strokes about Daenerys and the White Walkers and the fate of the Iron Throne, but nothing more. I think he lost that thread in books 3 and 4 a bit, introduced new characters, and while nurturing their plotlines, others fell fallow or stalled out, and he had to start pruning.
And that's basically where the show writers came in. Seasons 1-4 followed the first books, which were full-on glorious pantsing at its best, but then they moved past that and tried to clean some of the mess up, and now that we're beyond the written and HBO wanted this wrapped up, they handed it off to D&D to finalize, with a strict deadline.
Now, D&D aren't pantsers. They're plotters. Having a deadline to meet, and an established story and characters, they had to sit down and figure out what high points had to be hit, what conflicts needed resolving, what order things had to happen in, and how to punch all of that into the remaining time they had. While I think they'd done only an okay job, not up to snuff with the rest of the show, I'm fairly certain they're not the ones who set the deadline in terms of number of remaining shows/seasons. Had they been given an extra 6 shows to shoot, a lot of these issues could probably have been resolved, but they simply didn't have that option.
But regardless, it's that shift from a fully-pantsed world and characters to a fully-plotted race to the finish that's the core of the issue. That's what people are really noticing, and hating. And while all this is paraphrased, if anyone digs out the twitter thread I'm pulling it out of, 95% of the credit for what I'm saying is that guy's; I saw it on imgur in passing this morning and can't be arsed to try and find it but I'm also not trying to claim this is my idea; I'm just rephrasing it from memory (though "plotters" and "pantsers" is definitely that guy's terminology).
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I've said I think the season is pretty poor, overall, and that episode was not a high point.
I'm pointing out that the show has always, since Season 2 at least, been driving at Daenerys being the destroyer, the conqueror. Her story has continually reinforced that.
This simply is not true. It's never been true. "Evildoers" is framed as "people who don't do what Daenerys wants them to do", nothing deeper. The first person she had killed, the woman who killed her unborn child, was the very kind of "downtrodden" you claim she always protects; she was lashing out at the Khal who had conquered and oppressed her people. She burned the Khals alive when they wouldn't bend the knee, and they really had no reason to; she had no proper claim on their loyalty. And so forth. And so forth.Most of us don't, and we've presented clear reasons for why burning *innocent women and children* and *people who flat-out surrendered* is radically out of character for someone who has ONLY EVER KILLED ENEMY COMBATANTS, EVILDOERS, AND PEOPLE WHO REFUSE TO SURRENDER. She went out of her way to protect the downtrodden at every possible opportunity, and that entire aspect of her character just got thrown away because the show needed a one dimensional villain.
This wasn't the huge leap for her that you make it out to be.
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Burning to death is a sadistically cruel means of execution. Beheading is comparatively humane.
Also, she isn't implementing the mandated penalty for a crime according to a set code of laws. She kills people by her own whims, because she says so, and she's the one with the dragon. That's as deep as it goes; there is no "law", no "code".
Last edited by Endus; 2019-05-16 at 07:12 PM.
Burning to death by drogon is instant death. It's not like burning at the stake
All I can think now is...
Damn.. D&D are slated to write the next Star Wars.
Thats gonna suck.
Koriani - Guardians of Forever - BM Huntard on TB; Kharmic - Worgen Druid - TB
Koriani - none - Dragon of Secret World
Karmic - Moirae - SWTOR
inactive: Frith-Rae - Horizons/Istaria; Koriani in multiple old MMOs. I been around a long time.
Martin will dedicate the next book to the dead army. It wont be an hour long single battle like in the show. And a dream of spring will prob be about Danny going insane and nuking everyone in the end. Martin will spend an entire book on it and it will be so much better than the show.
If he finishes them that is . . . . /cry