Originally Posted by
Slybak
This is going to turn into an anthropology lesson real fast, and I'm not sure you know what "fallacious" means.
One of the major functions of culture is that it is the means through which a group of people classify shared experiences and make value judgments about them. Culture, put simply, is the stories that we tell each other to communicate what is and what is not socially acceptable behavior. Religion is often the biggest facet of this, but so is entertainment. It is not a matter of what some individual expression of a symbolic experience tells us, but what they tell us in the aggregate. What do our stories have in common? You tell one kind of story often enough, to the exclusion of competing stories with different values, and it begins shaping the behaviors and practices of that group.
And the stories we mostly tell ourselves, especially in Western culture, are those of men who save women. Generally helpless women, at that.
And if your parents played that game all day. And their parents. And their parents. And so on, stretching back twenty generations? You think that would have zero impact on the kind of society you would live in and to which you would be expected to conform?
And there are men who need saving every day. And there are women who don't need saving every day. And there are men who need saving that may best be provided by a woman, or another man, and women in need of saving by a woman. But we don't tell those stories as often as the the one about the man saving a woman, because they do not conform to the expected relationship.
When that help comes from a sense of chivalric duty, culturally ingrained from eras of warrior codes which were nothing if not hostile to women, then its misogyny. If its help that comes from an anticipated reward of sex, it's even worse. To say that the damsel in distress trope is not built on either of these is to strain credulity.