The first half of the OP is spoiler free - but subsequent posts in the thread may contain spoilers.
Summary: This movie is so fucking good. Once the dust settles, it'll be destined to be a sci-fi classic. It's smart sci-fi for the thinking viewer.
I just got back from seeing Arrival. For several weeks leading up to its release it was sitting at 100% on Rotten Tomatoes (with over 80 reviews) and has now 'dropped' to 96% with 155 reviews. While we always joke about rotten tomatoes 'getting it right/wrong', seeing such strong critical acclaim definitely gets you curious to see what all the fuss is about.
And if you love your sci/fi, the trailers suggest a film about 12 alien ships arriving and the worldwide reactions of the aftermath, and we all all know how other films in this genre traditionally go.. right? (eg Independence Day - there will be lots of explosions, cringe worthy cliches, terrible acting, glorious destruction-porn, big dramatic set pieces, kick some major alien ass etc)
And that is most certainly not what Arrival delivers, it's the complete opposite (so it's not surprisingly being referred to as "Anti-Independence Day" by viewers/reviewers... and it' so wonderfully refreshing to say and experience that for a film in this genre. We need more smart sci fi films.
I think the film could be very disappointing/confusing/frustrating to anyone who walks in and was expecting (or wanting) Independance Day. And i'm sure there will be a few, because the marketing / trailers etc could easily imply people are going to get some sort of thrill ride that typically comes with this genre.
The film may be frustrating to viewers that don't like a slow-burner, which it definitely is.
The best way to describe the film, in non-spoiler terms, is a beautiful and poignant slowburning emotive crescendo - which will resonate with you long after leaving the cinema.
Since leaving the cinema i've been thinking about it nonstop, trying to make sense of it all - and the only real way to do that is simply to have a repeat viewing tomorrow. The second viewing will be in a completely different light.
Its definitely a film to avoid spoilers for, so if you're curious to see it and wondering whether it'll be any good, whether it'll be "Just another alien arrival/invasion film" - stop reading - and go see it before you taint the experience of seeing it by finding out too much.
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Spoilers part of post
Alright, who guessed the twist or saw it coming? The big revelation that Louises 'memories of her past' were actually 'visions of her future', because she now sees time as non-linear just like the Heptapods.
That, during the events of the film, shed never had a child or was married, she never was in post-grief depression after losing her daughter to cancer. That the opening scenes of the film, with her giving birth->living with->losing her daughter, was in fact a flash-forward and occurred years after the events of the film itself.
That the daughter scenes happen in the future, well after the events of the film.
A little bit like the film "The Sixth Sense" - which you could rewatch and view in an entirely different light when you know the ending: hes actually dead the whole time. You can rewatch this film and the second time will be very different: when you know which scenes fit where chronologically.
And that the unknown 'science guy' father she references occasionally when conversing with the daughter, is actually the same guy she went on the mission with and whom audience has already met.
The scene regarding Louise and her daughter having a show called, "Mummy and Daddy talk to animals" and the daughter presents a picture of what we assumed was just their family on the first viewing. Maybe with a pet or something, I didnt notice the bottom half of the image on first viewing. But looking more carefully on the second, its actually a picture of mum/dad and.... a bird in a cage.
So midway through the film the audience has basically already been told the ending. The picture 'Mummy and daddy talking to animals' - a picture of Louise (mum)/dad/bird in a cage. Its Louise and her science-guy mission partner, together with a canary in a cage, talking 'to the animals' (or more accurately - the Heptapods).
On first viewing this wouldnt make sense, because the audience is assuming that when the scene is shown its another 'flashbackmemory of the past' of her dead daughter - but its actually set in the future well after the film - when her daughter was doing a presentation at school essentially of the events transpiring during the film itself.
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The "Louise meets with General Shang" scene is pivotal and I couldnt remember the exact wording after my first viewing, so I wrote it down during my second. This is how it went
General Shang comments how Louise reached out and called him on his private number.
Louise: "I dont know your private number"
General Shang leans over and shows Louise her phone with his private number displayed.
Shang: "Now you know. I do not claim to know how your mind works, but I believe it was important for you to see that."
Louise: "I called you, didnt I?"
Shang: "Yes, you did".
Shang: "I will never forget what you said".
Louise looks at him seemingly confused/unaware what hes referring to. Shang leans in to whisper in her ear.
Shang: "You told me my wifes dying words".
So this is a paradox in the film. Louise, during the events of the film, is dialling a phone number and saying something that she doesnt actually know or find out until some time later in the future. And, later in the future during that ball scene: Shang, for unknown and unexplained reasons - even to him - feels that its important to show Louise his private number and tell her his wifes dying words, allowing her past self (during the film) to peer into the future and use what she eventually learns in the future to affect present day events during the film.
Enough to make your head explode!
Anyone else want to try and give their take to succinctly explain what is happening in this scene?