Fortunately, I have an excellent video for you that goes in depth about humour regarding subjects like race. And Nazis!
I'll pull an example from the above video since it pretty succinctly demonstrates why you are wrong; there's a reason why, despite Blazing Saddles being extremely dark in a lot of its humour, there are certain lines it never crosses - like showing a black man being lynched. To quote Mel Brooks:There's no "expense" at any joke. It's a joke. It's comedy. Nearly all comedy would be offensive if these bizarre standards would be applied. Thank goodness people aren't taking what upper middle-class white people say from the bay area as gospel anymore. If we did then there's really nothing that anyone would be safe from, as this "journalist" has found out via the hard way.
"Definitely. In 1974, I produced the western parody "Blazing Saddles," in which the word 'nigger' was used constantly. But I would never have thought of the idea of showing how a black was lynched. It's only funny when he escapes getting sent to the gallows." - Interview with Der Spiegel, 2006
There is a critical distinction being made here in that a) not all targets for comedy are equal and b) humour that targets marginalized or oppressed demographics and comes at their expense is generally in poor taste and often doesn't have a....you know...point. Regarding making jokes that play off stereotypes - again, what is the point being made, and at whose expense is the joke? Equally as importantly; for what audience is said humor intended?
That a lot of people just don't think about this shit is an indictment of them, not a defense of offensive comedy.
Originally Posted by Marjane Satrapi
To which the question posed becomes: why isn't there any "humor" in showing someone being lynched.
Could it be because not all targets for comedy are equal, and that comedy at the expense of the oppressed is inherently unfunny? You know, that exact thing I said?
Last edited by Elegiac; 2019-10-01 at 11:35 PM.
Originally Posted by Marjane Satrapi
I'll give you another example, then.
Do you think it's appropriate to have a romantic comedy set in an extermination camp in which they strongly imply people are being gassed and executed in the background?
Again: why isn't it funny? Saying "because it isn't" isn't an argument.Has nothing to do with "the oppressed". It's just not a funny thing period. There's plenty of humor aimed at all walks of life - including "the oppressed" that's still funny. Killing someone by hanging really isn't.
Originally Posted by Marjane Satrapi
This isn't remotely what I'm saying, but okay then.
Because killing people by hanging them by the neck isn't really full of humor generally? I don't know how else to spell that out for you if you can't see it any other way than some racial issue.
Here's an example of how hanging can be successfully used for comedic intent.
It's almost as if what makes lynchings unfunny is the context surrounding them.
We're not talking about "comedians everywhere".Plenty of comedians poke fun at different racial stereotypes. I can't think of any that say, "Haha boy it's funny when people are killed in horrible ways, right guys?"
Again, the fact that you can only lean on the most extreme examples when comedians everywhere are still doing other jokes only serves to disprove your point, not reinforce it.
We're talking about comedians who have embraced "triggering the SJWs" as a marketing tactic and do nothing but complain about censorship when there is in fact good reason why their brand of humour is no longer generally appealing. We're also talking about there being some subjects which are non grata as far as comedy goes because they are inherently unfunny due to their social and cultural context.
You aren't actually like, countering my argument that some humour is inherently offensive and the people that find it funny are either ignorant of its meaning or agree with it, by the way.
Originally Posted by Marjane Satrapi
The swastika (which the other poster was referring to when he said "the symbol of peace of a religion") was a holy symbol for the Hindu religion for thousands of years. Hinduism is the oldest of the major religions. It was co-opted in one very short (historically speaking) spat of violence over a decade, and now no one, not even Indians, would argue the swastika being used is anything but indicating what was a very niche use of it. In India, we didn't take down the swastikas in our temples....but we don't use it any more, not really.
This is, of course, the most extreme example because it involves a very old and pervasive symbol being co-opted by one of the worst, most fucking heinous periods of violence in human history. But it has also happened to symbols like the Iron Cross and various Germanic symbols used by the Third Reich, which is why people don't like it when other people adopt a particular kind of cross, since, even though it may be a Christian symbol or a symbol used by another country, its most prominent use is associated with the Third Reich.
So, IOW, symbols tend to represent what the people using them want to represent, combined with the impact of the use intended.
Yeah, no. You're being ridiculous.
What I said was quite clear: Blazing Saddles is a film full of racially charged humour and yet even then there is subject matter it finds in poor taste owing to its social and cultural context. Like lynching. It's a demonstration how offensive humor existing doesn't make it not offensive.
See above. Also, it's ironic how you're bitching about extreme examples in a thread where you're trying to defend people from being cancelled because they make extreme jokes.Because you haven't made the point. All you've done is throw out the most extreme examples you can find and using that to somehow make a point that you can't make jokes about "the oppressed". (Sooo...basically you can only joke about white people.)
Again, if that's not what you meant, then don't throw around the words.
Originally Posted by Marjane Satrapi
Let's look at what I said.
Sounds a lot like I'm saying there are some subjects that are non grata and comedy that is in bad taste is generally so because it's either thoughtless or actively denigrating already marginalized people.I'll pull an example from the above video since it pretty succinctly demonstrates why you are wrong; there's a reason why, despite Blazing Saddles being extremely dark in a lot of its humour, there are certain lines it never crosses - like showing a black man being lynched. To quote Mel Brooks:
"Definitely. In 1974, I produced the western parody "Blazing Saddles," in which the word 'nigger' was used constantly. But I would never have thought of the idea of showing how a black was lynched. It's only funny when he escapes getting sent to the gallows." - Interview with Der Spiegel, 2006
There is a critical distinction being made here in that a) not all targets for comedy are equal and b) humour that targets marginalized or oppressed demographics and comes at their expense is generally in poor taste and often doesn't have a....you know...point. Regarding making jokes that play off stereotypes - again, what is the point being made, and at whose expense is the joke? Equally as importantly; for what audience is said humor intended?
That a lot of people just don't think about this shit is an indictment of them, not a defense of offensive comedy.
This "you can only make jokes about white people" nonsense is a construct of your own devising.
Originally Posted by Marjane Satrapi
I did. It isn't my fault you chose to ignore the whole "expense" bit in your effort to try and paint me as saying it's only okay to make jokes about white people, lol.
And ultimately, the fact of the matter is there's no real 'line' anyway. Culture and taste shift, and if its shifting in a direction *away* from humor that is based entirely on punching down and you find yourself being left behind, well...
Maybe there's a reason for that.
Originally Posted by Marjane Satrapi
It seems like this is completely missing the point Elegiac was making. For example, go back and check out the Lindsay Ellis video that was posted. It goes over how Mel Brooks makes comedy movies regarding the treatment of Jews during WW2 and the Inquisition. No one is saying he can't make jokes about Jews (a marginalized and oppressed demographic). Try to look into why the humor is different in that situation though. Brooks isn't making fun of Jews specifically, he's satirizing the situation and making it ridiculous. Does that make sense? Going back to the lynching, I'd say most people wouldn't find humor in someone just being hanged. But there are other instances that have used lynching and hanging, like the Boondocks and Buster Scruggs. Again, the focus isn't on finding humor in the person being hurt but the situation itself.
On MMO-C we learn that Anti-Fascism is locking arms with corporations, the State Department and agreeing with the CIA, But opposing the CIA and corporate America, and thinking Jews have a right to buy land and can expect tenants to pay rent THAT is ultra-Fash Nazism. Bellingcat is an MI6/CIA cut out. Clyburn Truther.
Namely because saying "why can't they just identify as another group" is kinda illogical when the whole thing about demographics being social constructs is that they are....social....and that the ability of individuals to opt in and out of X group is both limited and shouldn't be a decision anyone makes under duress in the first place, Miss "Welsh and Other Cultural Minorities are being destroyed through forced assimilation by the one size fits all policies of European technocrats".
Hint: Complaining about forced assimilation and then mocking the idea that identity is constructed and thus mutable is contradictory.
Originally Posted by Marjane Satrapi
So how come "cancel culture" is only a problem when it affects rich white men?
Where were the cries of "cancel culture" in regards to Jessica Price?
Where were the cries of "cancel culture" in regards to Kathy Griffin?
Where were the cries of "cancel culture" in regards to Allison Rapp?
Where were the cries of "cancel culture" in regards to Zoe Quinn?
Where were the cries of "cancel culture" in regards to Trayvon Martin?
Where were the cries of "cancel culture" in regards to Anita Sarkeesian?
Where were the cries of "cancel culture" in regards to Jeremiah Wright?
Where were the cries of "cancel culture" in regards to Janeane Garofolo?
Where were the cries of "cancel culture" in regards to Jade Raymond?
Where were the cries of "cancel culture" in regards to The Dixie Chicks?
Where were the cries of "cancel culture" in regards to Sinead O'Connor?
And that's just off the top of my head.
- - - Updated - - -
The same reason that money being a social construct doesn't make you a billionaire.
- - - Updated - - -
How so?
Interesting how I'm the only one ever required to provide facts and citation. I don't mind it. I just want you to tell me why.A judgement is an assessment external to the person who made the original remark. You are the one casting judgement, I, however, am not responsible for the way you choose to interpret what I said. Hell, framing the matter in this way reinforces my point. If anything, you, the one passing judgement, the one making the accusation, are the needing to prove that an innocuous remark, a joke was made with ill intent. You need to demonstrate that said comment is sufficient to frame me as a bigot. No, hold on, according to this thread's framework, not only do you have to prove that said remark framed as a bigot at the time it was made, but you ALSO need to prove that, based on it, I remain a big, who knows how long it has passed after it was made.
Yes we do need facts. Go ahead and provide them. You laid the accusation, now substantiate that it.
Jessica Price: Shit talked the people who messaged her politely and made a general ass of herself on twitter.
Kathy Griffin: Held up an effigy of the president's severed head.
Allison Rapp: Holy fuck that's a messy situation I can't make heads or tails of. Officially Nintendo claims it's because she had a second job "in conflict with company culture". I think she was doing modeling or was working as an escort if I remember right.
Zoe Quinn: You're going to have to tell me how she got canceled because as far as I can tell she's doing just fine. Aside from you know, driving a guy to kill himself.
Trayvon Martin: I don't see how getting into a fight with someone and then getting shot is cancel culture.
Anita Sarkeesian: There has never been any proof that the threats she claimed to have gotten were legitimate. The FBI investigated some of them and they found nothing.
Jeremiah Wright: First one I see as legitimately wrong. The crazy shit he said in his sermons was used to attack President Obama. I doubt many really cared about the content of the sermons they just found a new way to attack Obama as un-American. I don't like the excerpts I found but he's free to say it since it was his church.
Janeane Garofolo: I never heard of this one. It looks like she asked people to ease off Louis CK when everyone found out about the weird shit he pressured women into doing with him? People were out for blood so I'm not surprised they set their sights on her when she dared to defend him.
Jade Raymond: Wait she got canceled? When? I can't find anything on it.
The Dixie Chicks: I think the reaction was dumb but come on, bashing the US a few years after 9/11? There was going to be blow back from that given how crazy everyone was at the time.
Sinead O'Connor: Haha oh wow that quote on Wikipedia
I can only speak for myself but I'm all for anyone saying what they want even if I find it horrifying. I don't like this current trend of trying to ruin someone because they said something now or years ago that they look back on now and are like "shit I was a fucking idiot".Originally Posted by Wikipedia
You want something really mind-boggling?
Conor Daly, a race car driver, lost his sponsorship deals because his father used an ethnic slur for blacks on the radio in the 80's. He was punished for something his father did BEFORE HE WAS BORN.
https://www.nytimes.com/2018/08/24/s...cial-slur.html
I am not objectively wrong in the slightest. Hypothetical person B took active steps to ensure that the message he didn't like was distributed to those who had financial influence over the speaker in an attempt to damage and or silence that individual.
That is not any sort of equivalent statement, and that is not simply engaging in protected free speech, and you know it.
Last edited by melodramocracy; 2019-10-02 at 05:15 AM.
The only "action" Person B took was to engage in speech.
You keep pretending that speech is action when it's convenient for your argument, and insisting it's not when it's inconvenient.
And yes; telling an employer that one of their employees has been saying racist things is absolutely protected speech. Where the hell did you get the impression it wasn't?